I was thinking it would make for an excellent paper for exploring public performances of affect. If you are ashamed or annoyed do you remove your helmet? If you are pleased with your innings, then how do you walk? How do you carry your bat? Where do you look?
The space in between the pitch and the changeroom — the space of the walk — is extraordinarily intense. It is a highly polarised field between poles of action/potentiality and readiness/stasis/depotentiality.