event mechanics

What is useful in After Finitude?

Levi has a new post up about temporality and objects. He writes this:

However, while I am deeply sympathetic to the processualists and consider myself a process ontologist– which I don’t take as being synonymous with being a Whiteheadian –this argument only follows if substances are three-dimensional as articulated above. If, in addition to spatial parts, objects also have temporal parts it follows that objects are not brute clods that simply sit still, but that in their endurance through time they are activities or processes.

The obvious point to make is that processes produce objects at various singular points of concrescence (eg condensation, etc). The process is not *of* an object, ie the duration is of relations in these processes and not parts of an object. It also follows if substances are not *in* objects, but in events, with objects being local manifestations of events. The only reason we even think in terms of objects at all is because this is the innate correlationism of human perception.

I agree to a certain extent with your reading of Derrida, but Derrida does not restrict deferral to objects and instead is concerned with the event that is forever actualised through differral (eg ‘to come’ etc.). Reading Derrida in terms of objects is a reduction.

From the physical sciences, water boiled in a closed environment, so all H20 molecules of the water turn into steam, is a version of the Ship of Theseus (SoT) argument. Is it the ‘same’ set of H2O molecules before and after boiling? Yes. So what has changed and for whom? There is no in-itself here. Maybe you don’t think water in such an experiment is an object?

The SoT is an event involving the ship, concept of a ship and a proper name ‘Ship of Theseus’. The comparable singular points for the SoT are predominately *social* in character, just as the examples of your own identity and the physiological seven year cycle. Singular points for identity include complex actualisations across socio-physiological assemblages, such as marriage, sex-change, civil rights changes to legislation, and death. Non-human assemblages are produced around the affective affordances that give them consistency as a kind of non-conscious pan-affectivism (as compared to a pan-psychism), such as the affective character of a planet’s geology and events of tectonic movement.

I’d be interested to see how you deal with creation, Levi. Is ‘creation’ possible in OOO? Is ‘creation’ for you a local manifestation of an object that doesn’t exist yet (ie quasi cause, and belonging to a parent event)? Or is it the local manifestation of a series of lower order objects that combine into a new object? If so, what is the temporality of ‘newness’ for this ‘new’ object then? If anything is useful out of After Finitude, which QM frames in terms of the question of temporality of being out of non-being, it is this question.

Heuristic of Passion: Michael Polanyi and Enthusiasm

I’ve been reading Michael Polanyi‘s book Personal Knowledge (1958). Some aspects of Polanyi’s work have been popular in organisational studies primarily due to his conceptualisation of ‘tacit knowledge’. I have been reading Polanyi’s work for the purposes of the article I am currently writing on an ‘economy of know-how’. Maybe I’ll write another post engaging with how organisational studies have used Polanyi’s ‘tacit knowledge’, at the moment I need to finish this article I am writing.

The subtitle of the book Towards a Post-Critical Philosophy indicates Polanyi’s general program of locating affirmation as a central element of the discovery and development of scientific knowledge. Indeed, instead of a heuristic of doubt or a suspension of belief, Polanyi argues for a heuristic of passion premised on belief. Although deployed in any number of occasions in his argument the character of passion is a given and is nearly always described in terms of its function. In those occasions where Polanyi does discuss the character of this passion it is largely through analogy with what he calls the inarticulate intellect of animals and also in the context of instinctual drives. Silvan Tomkins’s work on the ‘analog’ ontology of affect as compared to the ‘digital’ ontology of drives enables contemporary readers of Polanyi’s to explicate what Tomkins calls a “co-assembly of affects” as characterizing the motivational drive of the ‘passion’ he describes.

For Polayni, ‘intellectual passion’ is an integral element in the process of scientific discovery and development of scientific knowledge. He argues that “into every act of knowing there enters into a tacit and passionate contribution of the person knowing what is being known, and that this coefficient is no mere imperfection, but a necessary component of all knowledge” (329). The passion coefficient of knowledge is necessary for the process of discovery. In his discussion of explorers , Polanyi describes commitment to belief as an integral element of intellectual passion that is satisfied by discovery. The explorer enjoys a “daring anticipation of reality” (327). He isolates this as the creative dimension of scientific progress, and this creative dimension relies on ‘heuristic passion’:

“We have to cross the logical gap between a problem and its solution by relying on the unspecifiable impulse of our heuristic passion, and must undergo as we do so a change of our intellectual personality. Like all ventures in which we comprehensively dispose of ourselves, such an intentional change of our personality requires a passionate motive to accomplish it. Originality must be passionate.” (151)

Polanyi argues that the gratification of instinctual appetites (hunger, sex and fear) is a manner of verification. There is a parallel to intellectual passions in that “all passions animating and shaping discovery imply a belief in the possibility of a knowledge of which these passions declare the value” (183). That is, Polanyi suggests, a (not infallible) ‘competence’ of intellectual passions is to recognise truth. The satisfaction of intellectual passions is a kind of verification of discovery, as discovery “terminates the problem from which it started” and “leaves behind knowledge” (183). The knowledge is expressed as part of the ongoing development of an “articulate framework” (183).

He argues that the interpretative framework built upon previous discoveries is changed by future discoveries; hence it is “logically impossible to arrive [at future discoveries] by the continued application of our previous interpretative framework” (151). This insight is troubled, however, by his use of ‘recognition’ in the process by which problems are identified:

“To see a problem is a definite addition to knowledge, as much as it is to see a tree, or to see a mathematical proof—or a joke. It is a surmise which can be true or false, depending on whether the hidden possibilities of which it assumes the existence do actually exist or not. To recognize a problem which can be solved and is worth solving is in fact a discovery in its own right.” (127)

There is a contradiction of discovery based on ‘recognition’. This is not a question of mere semantics, but relates to the functioning of ‘intellectual passion’ itself. Useful here is Deleuze’s development of a post-Kantian philosophy of the Idea as essentially ‘problematic’ instead of ‘regulatory’. That is, without regulatory universality ideas become problematic, and ‘recognition’ in the way Polanyi discusses it here is no longer straightforward. Polanyi himself argues that radical manifestations of this process of breaking with conceptual frameworks dissolves a “screen” between us and things and in doing so dissolves the subjective into experience itself as a form of radical contemplation distinct to our normative experience of experience: “as observers or manipulators of experience we are guided by experience and pass through experience without experiencing it in itself” (209). Perception itself is co-assembled though experience…

Polanyi is primarily concerned with the freedom of intellectual passion necessary for scientific discovery. There is an “essential restlessness” of the human mind expressed through the scientist in terms of pondering new problems and discovering solutions to them (209), but it is not only the scientist that enjoys that satisfaction of discovery. The scientist, in Polanyi’s analysis, is concerned with the “natural order,” while another, for example, the technician or technologist, although working within a similar framework of discovery, has a far more focused heuristic passion.

“He follows the intimations, not of a natural order, but of a possibility for making things work in a new way for an acceptable purpose, and cheaply enough to show a profit. In feeling his way towards new problems, in collecting clues and pondering perspectives, the technologist must keep in mind a whole panorama of advantages and disadvantages which the scientist ignores. He must be keenly susceptible to people’s wants and able to assess the price at which they would be prepared to satisfy them. A passionate interest in such momentary constellations is foreign to the scientist, whose eye is fixed on the inner law of nature.” (188)

The constellation of interests organized around the focused heuristic passion of the technician is in part determined by the set of material advantages afforded by a technology; what Polanyi calls a technology’s “operational principle”: the rules by which a technology “teaches us actions undertaken for material advantages” if we “imputed [in the technologist] the purpose of achieving the consequence of this action” (186). My interest is in ‘know how’ which describes a form of knowledge that engages with such ‘operational principles’ and their material instantiation in a particular technological state of affairs. Unlike the knowledge of qualified technicians however, ‘know-how’ is the accumulation of partial understandings, but full appreciations of such “operational principles”. I call ‘enthusiasm’ the heuristic passion that is in-acted as a constituent element of the experience of discovering the operative principles of technology.

Creative Process of Events

Currently finishing off a paper titled ‘Towards an economy of know-how’ based on PhD work. Extending Negri and Hardt’s arguments regarding the subsumption of the social and the way the ‘general intellect’ is used as a resource from which to extract rent I explore how print magazines have lost their monopoly rentier position on know-how produced through the cyclical valorisation of products of know-how in cultures of enthusiasm.
Anyway, I found this footnote in my PhD. Yep!

With reference to an ‘Aristotelian logic’, Whitehead (1978: 61-82) critically summarises the ‘error’ of mistaking the potentiality of the extensive ‘time and space continuum’, which he agrees is very useful for everyday living, for the ‘reality’ of the ‘creative process’ of events. What Whitehead calls an ‘actual occasion’ (of a realisation in a spatiotemporal state of affairs) is a “limiting type of event”(80).

Singularities of Sense, Knowledge and the Social

I think OOO and onticology specifically addresses this problem better: what must the world be like for us to relate and have knowledge about it? Indeterminate, non-specified clumps of matter and energy just don’t work. But neither do we simply know things are they are, either, as knowledge is simply a subset of a larger, more significant distinction drawn by onticology: relation. Otherwise you risk making humanity an essential ingredient in being itself—that doesn’t make sense, either. There is something between pure materiality without form or structure and transcendental idealism. Namely, the partially translatable individual entity.

Joseph C Goodson replies to my comments about withdrawal and OOO. Making sense, indeed.

Let me flip Joseph’s warning regarding humanity as an essential ingredient in being itself. Is there a dimension of Reality that only humans have access to? What is this dimension of Reality? Meillassoux has carried out a fine service for so-called correlationists. Of course we relate to nothing other than matter and energy, while at the same time it is not as simple (or complex) as a relation directly with matter and energy, as this is unintelligible to us. Sure, scientistics can produce elaborate experiments to reduce the number of variables so as to work at relating directly to matter and energy. Do they apprehend matter and energy? No, they attempt to come up with a description that ‘fits’ the particular singularities at play in a particular composition of matter and energy as isolated in their experiments.
In The Logic of Sense, Deleuze describes ‘sense’ as the contraction of singularities that renders bodies and mixtures of bodies sensible and therefore intelligible to humans. A ‘description’ is a particular series of singularities. In his Discourse on Language, Foucault described his ‘archeological project’ in terms of examining a series of these descriptions for particular epistemes — what he called discourse events — and critically analysing the composition of singularities on the side of human intelligibility. The distribution of singularities, and series of singularities as they are never (ironically) ‘single’, he described as a distribution of statements. Bruno Latour’s project has been, in part, to expand this critical analysis to examine the practical, social and institutional, that is, extra-discursive, distribution of singularities that exist in great chains of relations and which are essential for the reproduction and production of such descriptions. An ‘incorporeal transformation’ (from A Thousand Plateaus) is to use a different description (sense + knowledge + sociality) for a given series of singularities that combines it with another series of singularities, which in Deleuze and Guattari’s example, renders a person as a convict. You get the jist? As if Reality is only objects and thoughts about them (the so-called ‘correlationist’ position), and not a baroque distribution of singularities across every fold of the cosmos…
On the non-human side of this composition are singularities that belong to the cosmos, and exist for humans as they exist for any subject whatsoever; Whitehead called these singularities ‘eternal objects’. I’ve described the singular point that humans describe as a ‘boiling point’ here, as part of an explanatory post on the concept of the virtual; this is the relevant section:

Think of the boiling point of water. Humans have measured the boiling point and have figured out that it is 100C. The boiling point is real; you can actually witness water boiling, but on the other hand, depending on the energy introduced into the water-boiling system only small amounts of pure water at sea level will boil instantly and turn into steam. (If there is a large amount of energy released into a system, such as a nuclear weapon, then larger bodies of water will boil and evaporate instantly. Instantly still not being ‘instantly’, it still takes some time for this to happen, relative to our human frame of reference, it is an ‘instant’.)

In all other situations, the boiling point is virtual because it is actualised in different ways according to the variable constraints that move the water-boiling system from the ideal model (small amount of pure water at sea level pressures). Super heated water, for example, is water that has had extra energy added to it (heated) beyond the boiling point, but kept under extreme pressures. The boiling point remains virtual, it is not actualised, but the variable constraint of pressure (nominally at sea level) has not been fulfilled.

‘To boil’ is an event. Depending on the conditions, it is repeated in different ways. It would be impossible to exhaust the number of ways to boil water. That is, for example, we could never run the infinite number of experiments required to capture the infinite multiplicity of differentially repeated events of boiling water (or the critical point of a phase state at which water vaporises into steam). This is not the inifinity of extension, but the infinity between one and zero. It is the intensive multiplicity of Bergson’s duration. The reduction of this multiplicity, and that which renders the boiling point intelligible to humans, are counter-intuitively extra singularities of sense (Deleuze), knowledge (Foucault) and sociality (Latour). Others have expanded on this.

For example, Massumi bypasses this series of proper name philosophers to draw on others and has explicated the singularities of experience, which, to continue the example, are those singular points of qualities that belong to the event ‘to boil’ that are differentially repeated. My singular ‘experience’ of boiling water occurs, for example, everytime I boil the kettle for my morning (and mid-morning and mid-afternoon) coffee. I experience particular qualities of sound and vision, and if I am unlucky heat. These specific actualisation of singularities (mostly vision and sound, less so heat) require my specifically human perceptual apparatus for this specific event of experience. They experience of the fly in my kitchen, for example, has a better sense of the air currents produced by the steam expanding and heating air.

Latour’s work to connect human and non-human sociality has rightly indicated that I also include the virtual singularities actualised by the kettle itself (and kitchen and power supply and so on) of sufficient electrical contact between the plug and the mains socket and again in the kettle’s switch, of sufficient integrity belong to the kettle, and so on, that combine in certain ways to give the kettle agency in the event (it, literally, does ‘work’ in every sense of the word).

Tim Morton has described water boiling from an OOO perspective here. He writes:

Think of a kettle boiling. What is happening? Electrons are quantum jumping from lower to higher orbits. This behavior, a phase transition, emerges as boiling for an observer like me, waiting for my afternoon tea. [...]
It would be wrong to say that the water has virtual properties of boiling that somehow “come out” at the right point. It’s less mysterious to say that when the heating element on my stove interacts with the water, it boils. Its emergence-as-boiling is a sensual object, produced in an interaction between kettle and stove.

And from a previous post:

The tendency is to see it as some kind of underlying causal mechanism by which smaller components start to function as a larger, super component.
If true, this would seriously upset the OO applecart. Why? Because objects are ontologically primary entities, not some process such as emergence. In an OO reality, emergence must be a property of objects, not the other way around. Thus it seems likely that in OOO emergence would be a sensual feature of objects. In other words, emergence is always emergence-for or emergence-as.
In other words, emergence implies 1+n objects interacting in what Graham Harman call the sensual ether. This ether is the causal machinery, not some underlying wires and pulleys.

So my simple response is: Is water boiling a quality of electrons “quantum jumping from lower to higher orbits” and therefore a ‘critical point’ is a quality of electrons? Or is the “ontologically primary entity” or ‘object’ of water and not the electrons? Or should we describe it as a ‘phase state’ proper (thus including all attendent and involved ‘objects’)? (Ether! What?!) This could be extended further to analyse the singularities involved in ‘waiting for tea’, which introduces another series of singularities contracted into habit and memory that ‘possibilises’ relations of futurity as protension.

Here is the crux of the issue: There is no withdrawal, there is only ever an addition of singularities, and because there is only ever the addition of singularities, objects are not ontologically primary entities. The reality is not of a withdrawn object, but the reality of the object is a reality that always exceeds the object (and and and).

Occurring Qualities and Philosophies of Relevance

What if there are only ‘occurent qualities’? I don’t mean the obvious primary/secondary qualities distinction, but that the composition of matter and energy are entirely compositional and contingent. As energy cannot be destroyed, only transformed, then this or that composition of matter and energy is continually being transformed (ie entropy) since the beginning of the universe. The given composition of anything would therefore be a particular contingent composition of matter and energy. Isn’t this what meillassoux is getting at with his hyper-chaos (or, as I have always understood it, Guattari’s chaosmos)?

I’d argue this is a far harder task for any OOP: rather than simply ‘withdrawing’, when observed, the composition of the matter and energy change, always! Or is OOP is describing an anthropomorphic consistency in the composition of matter and energy as ‘objects’? Unless one wants to argue for an absolute non-relationism, and therefore avoid a recomposition of matter and energy, etc. I can’t really see how this can be avoided.

Above is another comment to Levi’s post about the notion of objects withdrawing. An easy way it can be avoided is following Deleuze’s argument in Difference and Repetition regarding differentiation, does the recomposition catalysed by observation of any composition of matter and energy beyond the sub/atomic scale make a lick difference? No… Well at least not to human perception and our perception of a (correlationist) difference.

I think I’ll call this the thermodynamic critique.

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