Virilio’s concept of dromoscopy, the effect of speed on vision, has a cultural efficacy when one considers the smooth topology of the segmented spectacle.

Edges enable a perspective of anticipation, surprise and wonder. This is different to the socialised punchline of commodified expectations. Compositions of aesthetic objects can create an ‘edge’. An ambience that induces a subtle perspective of anticipation, that something could happen in the slow moments filled with the gravity of affirmation.

Affirm the edges.